# Caroline Durieux artist context and auction value notes

Canonical page: https://appraisily.com/artist/caroline-durieux/
Profile generated: 2026-05-30T13:01:03.147Z
Quality: high confidence, strong sources

## Artist identity

- Nationality: American
- Common media: Printmaking (lithography, cliché-verre), Painting, Photography

## About Caroline Durieux

Caroline Wogan Durieux (1896–1989) was an American printmaker, painter, and educator based in Louisiana. Born in New Orleans, she built a decades-long career centered on printmaking, with a particular focus on lithography and the cliché-verre technique. Durieux taught art at Newcomb College of Tulane University from 1937 to 1942 and later served on the faculty of Louisiana State University from 1943 to 1964, earning Professor Emeritus status. Her known body of work includes lithographs and prints such as Bipeds Dancing, Bourbon Street New Orleans, Fragmented Clowns, Insomnia, and Lot's Wife—titles that suggest a blend of social observation, figurative study, and at times satirical or surreal imagery. Her work is held in the collection of the Museum of Modern Art, New York, and she is recorded in the Getty Union List of Artist Names, VIAF, and the RKD Netherlands Institute for Art History.

## Common works and media

Collectors are most likely to encounter Durieux's lithographs and cliché-verre prints at auction. Common subjects include figurative studies, social scenes, New Orleans street life, and allegorical or surreal compositions. Paintings are less frequently seen on the market. Named works referenced in authority records include Bipeds Dancing, Bourbon Street New Orleans, Dinner, Dinosaur Egg, Fragmented Clowns, Frightened Witches, Insomnia, Lot's Wife, Preview, and Young Sarai.

## Market and appraisal context

Caroline Durieux's prints appear with regularity at auction, with over 200 recorded lots in major databases. Lithographs and cliché-verre prints are the most commonly encountered work types. Value depends on the specific medium, edition size, condition, subject matter, and whether the work is from a recognized series or period. Works tied to her Louisiana and New Orleans subjects tend to attract regional collector interest. Institutional representation, including MoMA holdings, adds credibility. Collectors should verify authenticity and attribution carefully, as print editions can vary. Comparable public auction records should be consulted for current market benchmarks.

## Appraisily data basis

Appraisily artist pages combine artist identity research from museum records, library authority files, and biographical databases with auction records, sale dates, realized prices, and comparable lots when those records are available. For Caroline Durieux, identity data is grounded in the Getty ULAN, VIAF, RKD, Wikidata, and Wikipedia. Market context draws on the volume of recorded auction lots and institutional holdings noted in these sources.

## Sources

- Wikidata: https://www.wikidata.org/wiki/Q5045053
- Wikipedia: https://en.wikipedia.org/wiki/Caroline_Durieux
- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500008481
- VIAF: https://viaf.org/viaf/237771605/
- VIAF: https://viaf.org/viaf/95732816/
- Library of Congress: https://id.loc.gov/authorities/names/no99036448
- The Museum of Modern Art: https://www.moma.org/artists/1659
- RKD: https://rkd.nl/en/explore/artists/404836