# Anni Albers artist context and auction value notes

Canonical page: https://appraisily.com/artist/anni-albers/
Profile generated: 2026-05-31T11:57:46.203Z
Quality: high confidence, strong sources

## Artist identity

- Birth date: 1899-06-12
- Death date: 1994-05-09
- Nationality: German, American
- Movements: Bauhaus, Modernism
- Common media: Textile and weaving, Printmaking and graphic art

## About Anni Albers

Anni Albers (1899–1994) was a German-American textile artist, weaver, and printmaker widely regarded as the foremost textile designer of the twentieth century. Born Anneliese Else Frieda Fleischmann in Berlin, she enrolled at the Bauhaus in 1922, where she was initially directed into the weaving workshop — a common restriction for women at the school. She transformed that constraint into a pioneering practice, producing textiles that fused modernist abstraction with structural experimentation. After the Bauhaus closed, she and her husband Josef Albers emigrated to the United States, where both taught at Black Mountain College. Her woven works, wall hangings, and later prints helped elevate textile art from craft to fine art. The Josef and Anni Albers Foundation preserves her legacy, and her work is held by major institutions including the Museum of Modern Art and Tate.

## Common works and media

Collectors and appraisers most frequently encounter Anni Albers's work in the form of woven wall hangings and pictorial textiles, screen prints and lithographs (particularly her later geometric prints), design prototypes for industrial textiles, and preparatory works on paper. Her prints often feature abstract, interlocking linear compositions that translate her weaving logic into two dimensions. Bauhaus-era weavings and design studies are rare; later prints from the 1960s–1980s are more commonly available at auction.

## Market and appraisal context

Anni Albers's work appears at auction across Post-War and Contemporary Art, Modern Design, Prints and Multiples, and Textile Art categories. Key valuation factors include the specific medium (woven textile, wall hanging, screen print, or lithograph), provenance (particularly Bauhaus-era or Albers Foundation documentation), condition — especially for textiles vulnerable to fading and wear — edition details for prints, and the period of execution. Bauhaus-period works are comparatively scarce and tend to attract stronger institutional and collector interest. As the market for textile and fiber art continues to develop, prices for Albers's work have shown increased recognition, though realized results vary widely by medium and format.

## Appraisily data basis

This Appraisily artist page combines verified artist identity research from museum, library authority, and artist-foundation sources with available auction records, auction-house context, sale dates, realized prices, and comparable lots. Market observations are general and do not constitute appraisals or valuations.

## Sources

- The Museum of Modern Art: https://www.moma.org/artists/96
- Josef and Anni Albers Foundation: http://www.albersfoundation.org
- RKD Netherlands Institute for Art History: https://rkd.nl/en/explore/artists/131479
- Wikidata: https://www.wikidata.org/wiki/Q86078
- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500012591
- VIAF: https://viaf.org/viaf/32178846/
- Tate: https://www.tate.org.uk/art/artists/anni-albers-3067
- Wikipedia: https://en.wikipedia.org/wiki/Anni_Albers