# Andre Dunoyer de Segonzac artist context and auction value notes

Canonical page: https://appraisily.com/artist/andre-dunoyer-de-segonzac/
Profile generated: 2026-05-02T05:40:00.000Z
Quality: high confidence, strong sources

## Artist identity

- Birth date: 1884-07-06
- Death date: 1974-09-17
- Nationality: French
- Movements: School of Paris
- Common media: oil painting, watercolor, printmaking and engraving, drawing

## About Andre Dunoyer de Segonzac

André Dunoyer de Segonzac (1884–1974) was a French painter, watercolorist, graphic artist, engraver, and illustrator whose long career spanned much of the twentieth century. Born in Boussy-Saint-Antoine and trained in Paris, he became known for a fluid, expressive style rooted in direct observation of landscape and everyday life. His work in oil, watercolor, and printmaking drew recognition across Europe, with holdings in major public collections including the Tate and the Museum of Modern Art. Segonzac also illustrated literary editions, contributing etchings and drawings to books by classical and contemporary French authors. Active across painting, drawing, and graphic media for more than six decades, he remains a familiar name in auction catalogues and museum collections.

## Common works and media

Segonzac is commonly encountered in appraisal and auction contexts as a painter of landscapes and still lifes, a watercolorist of Provençal and Mediterranean scenes, and a prolific printmaker of etchings and lithographs. He also produced numerous book illustrations and drawings. Works range from small-format etchings and illustrated editions to larger oil-on-canvas paintings. Medium, dimensions, edition numbering, signature, and paper or canvas condition are key identifying details.

## Market and appraisal context

André Dunoyer de Segonzac has a deep, well-documented secondary market spanning more than three decades. Appraisily auction records index 215 lots with 131 carrying realized prices, ranging from 1993 to January 2026. The price distribution is wide: prints and etchings typically realize between $50 and $250 at regional houses, while unique works on paper and watercolors reach $500–$2,800. The recorded maximum of ¥520,000 (Mallet Auction, December 2024, for a Saint-Tropez landscape) reflects a multi-currency dataset. Major houses Christie's and Sotheby's appear among the top ten auction-house sources, alongside reputable regional firms such as Freeman's | Hindman, New Orleans Auction Galleries, Rago Arts, and international sellers in the UK, Belgium, Australia, and Japan. Trailing-12-month activity shows 9 priced lots versus 13 in the prior period — a modest softening but consistent liquidity. Segonzac's work crosses Impressionist & Modern Art and Works on Paper categories at the major houses and Prints and Multiples at mid-tier venues.

## Auction-house-backed market evidence

André Dunoyer de Segonzac has a deep, well-documented secondary market spanning more than three decades. Appraisily auction records index 215 lots with 131 carrying realized prices, ranging from 1993 to January 2026. The price distribution is wide: prints and etchings typically realize between $50 and $250 at regional houses, while unique works on paper and watercolors reach $500–$2,800. The recorded maximum of ¥520,000 (Mallet Auction, December 2024, for a Saint-Tropez landscape) reflects a multi-currency dataset. Major houses Christie's and Sotheby's appear among the top ten auction-house sources, alongside reputable regional firms such as Freeman's | Hindman, New Orleans Auction Galleries, Rago Arts, and international sellers in the UK, Belgium, Australia, and Japan. Trailing-12-month activity shows 9 priced lots versus 13 in the prior period — a modest softening but consistent liquidity. Segonzac's work crosses Impressionist & Modern Art and Works on Paper categories at the major houses and Prints and Multiples at mid-tier venues.

### Appraisal notes

Appraisily would use these auction records to anchor a comparable-sales analysis alongside the collector's photographs, stated dimensions, medium identification (oil, watercolor, etching, lithograph, or drawing), signature and edition details, paper or canvas condition, and documented provenance. The large price spread — driven primarily by medium and scale — makes it essential to classify the work accurately before selecting comparable lots. Etchings and lithographs should be matched by edition size, plate dimensions, and paper quality; unique paintings and watercolors should be matched by subject, period, size, and exhibition or collection history. Prices realized at Christie's or Sotheby's carry different weight than those at smaller regional houses and should be adjusted for sale context.

### Valuation factors

- Medium is the primary value driver: oil paintings and large watercolors command substantially more than etchings, lithographs, and book illustrations
- Edition details matter for prints — plate size, edition number, paper quality, and whether the print is signed in pencil or plate-signed affect price
- Provenance linking to a known collection, gallery, or museum deaccession can materially increase value
- Condition is critical for works on paper; foxing, staining, acid burn, or fading from light exposure reduce value
- Subject and period: Saint-Tropez and Provençal landscapes, vineyard scenes, and early-career works tend to attract stronger bidding than late or generic compositions
- Sale venue matters: lots at Christie's or Sotheby's generally realize higher prices than the same work at a regional auction house due to audience and estimate calibration

### Collector notes

- Segonzac's market is accessible at multiple price points. Entry-level collectors can acquire original etchings for under $300, while unique watercolors and oils at mid-tier houses typically range from $500 to $3,000. The artist's prolific graphic output means many prints circulate regularly; check edition numbers and plate dimensions before bidding. Works with Saint-Tropez, vineyard, or sporting subjects tend to outperform generic landscapes. The slight decline in trading volume (9 vs. 13 lots year-over-year) is not unusual for an artist of this era and does not signal a market shift on its own. Always verify attribution on unsigned or plate-signed prints, as Segonzac's style was widely imitated by contemporaries in the School of Paris circle.

### Market caveats

- The aggregate price statistics blend multiple currencies (USD, EUR, GBP, AUD, JPY) and should not be treated as a single-currency index; convert all comparable lots to a common currency before appraisal
- The recorded max price of ¥520,000 is Japanese yen, not USD; this is equivalent to approximately $3,400 USD and does not represent a five-figure dollar result
- Many recent lots lack category labels in the source data, so category distribution may be undercounted
- Several recent lots at John Nicholson's, Rago, and Sotheby's show null realized prices, indicating either unsold results or data not yet reported
- Segonzac's large graphic oeuvre means prints may be misattributed or incorrectly catalogued; condition and authenticity should be verified by a specialist
- The 215-lot sample spans 33 years; older sale results should be time-adjusted and may not reflect current market conditions

### Market evidence sources

- Appraisily auction record index: https://appraisily.com/api/scraper-search/artists/andre-dunoyer-de-segonzac/seo-profile?recentLimit=24&relatedLimit=0
- Invaluable / Helmuth Stone: https://www.invaluable.com/auction-lot-andre-dunoyer-de-segonzac-french-1884-1974-246-c-bf9ef22500
- Invaluable / Helmuth Stone: https://www.invaluable.com/auction-lot-andre-dunoyer-de-segonzac-french-1884-1974-245-c-f262d67420
- Invaluable / New Orleans Auction Galleries: https://www.invaluable.com/auction-lot-andre-dunoyer-de-segonzac-french-1884-1974-untitled-landscape-476-c-3f34f578a5
- Invaluable / New Orleans Auction Galleries: https://www.invaluable.com/auction-lot-andre-dunoyer-de-segonzac-french-1884-1974-la-foret-de-chaville-1955-475-c-62e4406a1d
- Invaluable / Sloans & Kenyon: https://www.invaluable.com/auction-lot-andre-dunoyer-de-segonzac-french-1884-1974-boxe-combat-de-sam-mac-vea-contre-sam-langford-circa-1913-etching-is-a-gravure-d-149-c-6c4f0a9e85
- Invaluable / Clark's Fine Art & Auctioneers Inc.: https://www.invaluable.com/auction-lot-andre-dunoyer-de-segonzac-1884-1974-french-josef-israels-1824-1911-dutch-paul-cezanne-1839-1906-french-albert-baertsoen-1866-1922-belgium-four-35-c-e1f4e659c5
- Invaluable / Crescent City Auction Gallery: https://www.invaluable.com/auction-lot-andre-dunoyer-de-segonzac-french-1884-1974-grue-a-la-quai-20th-c-h-17-in-w-21-1-2-in-framed-h-31-in-w-35-in-621-c-2eb4bf6b81

## Appraisily data basis

Appraisily artist pages combine researched artist identity and biographical data from museum records, library authority files, and verified public sources with auction records, auction-house context, sale dates, realized prices, and comparable lots when those records are available.

## Sources

- Library of Congress: https://id.loc.gov/authorities/names/n82024449
- RKD (Netherlands Institute for Art History): https://rkd.nl/en/explore/artists/24887
- VIAF (Virtual International Authority File): https://viaf.org/viaf/59081879/
- Wikidata: https://www.wikidata.org/wiki/Q518406
- Tate: https://www.tate.org.uk/art/artists/andre-dunoyer-de-segonzac-1043
- The Museum of Modern Art: https://www.moma.org/artists/5318
- Wikipedia: https://en.wikipedia.org/wiki/Andr%C3%A9_Dunoyer_de_Segonzac