# Almir da Silva Mavignier artist context and auction value notes

Canonical page: https://appraisily.com/artist/almir-da-silva-mavignier/
Profile generated: 2026-05-23T06:26:00.000Z
Quality: high confidence, strong sources

## Artist identity

- Birth date: 1925-05-01
- Death date: 2018-09-03
- Nationality: Brazilian
- Movements: ZERO
- Common media: painting, printmaking

## About Almir da Silva Mavignier

Almir da Silva Mavignier (1925–2018) was a Brazilian painter and printmaker born in Rio de Janeiro who spent much of his later career in Hamburg, Germany. He is recognized for his contributions to geometric abstraction and is associated with the international ZERO movement, which sought new approaches to art after the devastation of the Second World War. Mavignier studied and later taught at the Hochschule für bildende Künste Hamburg, where his students included the influential artists Hanne Darboven and Isa Genzken. His work is held in the collection of the Museum of Modern Art in New York, among other institutions. With nearly 300 works documented in auction records, Mavignier's output — particularly his boldly colored screen prints and abstract paintings — continues to circulate in the international art market.

## Common works and media

Collectors and appraisers most often encounter Mavignier's screen prints and posters, which feature vibrant, optically charged geometric compositions in bold color palettes. He also produced oil paintings, gouaches, and mixed-media works on paper and canvas. His subjects are typically non-representational, rooted in concrete and constructive abstraction with strong emphasis on color interaction and visual rhythm. Editioned prints with full margins, signed and numbered, are the most readily available work type in the secondary market.

## Market and appraisal context

Mavignier's work appears most frequently at auction as screen prints, posters, and gouaches, with paintings being less common. His connection to the ZERO movement and Brazilian geometric abstraction provides important context for collectors evaluating his pieces. When assessing value, consider the medium, edition size and numbering for prints, condition, provenance, and whether the work dates from his most sought-after periods. Institutional presence at MoMA and scholarly recognition through the RKD and Getty ULAN reinforce his standing, though prices can vary significantly by medium and scale. Comparable auction results should be consulted for individual appraisals.

## Appraisily data basis

This Appraisily artist page combines verified identity data from Getty ULAN, VIAF, Wikidata, the RKD Netherlands Institute for Art History, and the Museum of Modern Art with auction records, sale dates, realized prices, and comparable lots when available. Appraisily aims to support collectors with transparent, source-backed artist information rather than speculative valuations.

## Sources

- Wikidata: https://www.wikidata.org/wiki/Q1438306
- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500021709
- VIAF: https://viaf.org/viaf/10020961/
- Library of Congress: https://id.loc.gov/authorities/names/n83318490
- The Museum of Modern Art: https://www.moma.org/artists/3858
- RKD Netherlands Institute for Art History: https://rkd.nl/en/explore/artists/54144