# Albert Gleizes artist context and auction value notes

Canonical page: https://appraisily.com/artist/albert-gleizes/
Profile generated: 2026-05-02T19:35:00.000Z
Quality: high confidence, strong sources

## Artist identity

- Birth date: 1881-12-08
- Death date: 1953-06-23
- Nationality: French
- Movements: Cubism, Section d'Or, Abstraction-Création, School of Paris
- Common media: oil painting, watercolor, gouache, drawing, printmaking, illustration

## About Albert Gleizes

Albert Gleizes (1881–1953) was a French painter, theorist, and author who played a central role in defining and promoting Cubism as both an artistic practice and an intellectual movement. In 1912, Gleizes and Jean Metzinger co-authored Du "Cubisme", the first major theoretical treatise on the movement, which circulated widely and shaped how Cubism was understood across Europe and beyond. He was a founding member of the Section d'Or group and later founded and directed Abstraction-Création, an organization that championed non-representational art in the 1930s. Gleizes spent four formative years in New York during and after World War I, where he helped introduce modern European art to American audiences. His prolific theoretical writings, including La Peinture et ses lois, were influential at the Bauhaus and among German avant-garde circles. His work is held by major institutions including the Museum of Modern Art, Tate, and the Centre Pompidou.

## Common works and media

Gleizes worked across a broad range of media. Oil paintings on canvas include Cubist compositions, landscapes, and later figurative works with spiritual themes. Works on paper encompass watercolors, gouaches, and drawings in ink, charcoal, and graphite. He produced graphic works and illustrations, including woodcuts and lithographs. Later in his career, he explored mural-scale paintings and decorative commissions. Subjects range from urban landscapes and industrial motifs in his early Cubist period to religious and humanist themes in his later work.

## Market and appraisal context

Albert Gleizes has a well-established and internationally active auction market spanning over 35 years of recorded sales (1990–2026), with 749 catalogued lots and 461 with published realized prices. Price dispersion is wide: the record minimum is €65 (prints and minor works on paper) and the maximum reaches €1,833,250, reflecting the steep premium placed on early Cubist oils with strong provenance. The interquartile range runs from €2,040 (P25) to €27,940 (P75), with a median of €7,475, indicating that mid-tier works—typically later compositions, gouaches, and drawings—trade in the low-five-figure band. Liquidity is moderate and stable: 36 lots appeared in the most recent 12 months against 43 in the prior period, showing no significant contraction. Ten named international auction houses account for the majority of volume, with Christie's, Sotheby's, and Artcurial commanding the highest-value lots. Christie's November 2025 session alone realized five lots between $52,070 and $165,100, all Cubist or early-period oils and gouaches. French houses (Artcurial, Tajan, Piasa, Gros-Delettrez, Osenat, Millon) and German houses (Jeschke Jádi, Van Ham) handle the mid-market and works-on-paper segment. The market clearly stratifies by period and medium: pre-1920 Cubist oils carry the strongest premiums, interwar compositions in oil or gouache occupy the middle, and prints, drawings, and late-career works trade in the low thousands.

## Auction-house-backed market evidence

Albert Gleizes has a well-established and internationally active auction market spanning over 35 years of recorded sales (1990–2026), with 749 catalogued lots and 461 with published realized prices. Price dispersion is wide: the record minimum is €65 (prints and minor works on paper) and the maximum reaches €1,833,250, reflecting the steep premium placed on early Cubist oils with strong provenance. The interquartile range runs from €2,040 (P25) to €27,940 (P75), with a median of €7,475, indicating that mid-tier works—typically later compositions, gouaches, and drawings—trade in the low-five-figure band. Liquidity is moderate and stable: 36 lots appeared in the most recent 12 months against 43 in the prior period, showing no significant contraction. Ten named international auction houses account for the majority of volume, with Christie's, Sotheby's, and Artcurial commanding the highest-value lots. Christie's November 2025 session alone realized five lots between $52,070 and $165,100, all Cubist or early-period oils and gouaches. French houses (Artcurial, Tajan, Piasa, Gros-Delettrez, Osenat, Millon) and German houses (Jeschke Jádi, Van Ham) handle the mid-market and works-on-paper segment. The market clearly stratifies by period and medium: pre-1920 Cubist oils carry the strongest premiums, interwar compositions in oil or gouache occupy the middle, and prints, drawings, and late-career works trade in the low thousands.

### Appraisal notes

Appraisily would use the 749-lot auction record as a comparable-sales baseline, filtering by medium (oil, gouache, watercolor, drawing, print), period (early Cubist c. 1909–1914, New York period 1915–1919, late figurative-spiritual 1920s–1953), dimensions, and subject to identify the most relevant comparable lots. The submitted work's photographs, dimensions, medium, signature, and condition report would be compared against recent realized prices—particularly the Christie's November 2025 session for Cubist-period oils and the Artcurial/Van Ham/Gros-Delettrez results for mid-tier compositions. Provenance documentation, exhibition history, and RKD catalogue references materially affect valuation, especially for works in the upper quartile. Edition details matter for prints and illustrated books (e.g., the Pensées sur l'homme et dieu suite). The analyst would note that many recent lots are unsold (priceRealised: null), suggesting reserve calibration is common and that estimates should account for buy-in rates.

### Valuation factors

- [object Object]
- [object Object]
- [object Object]
- [object Object]
- [object Object]
- [object Object]

### Collector notes

- [object Object]
- [object Object]
- [object Object]
- [object Object]

### Market caveats

- [object Object]
- [object Object]
- [object Object]
- [object Object]
- [object Object]
- [object Object]

### Market evidence sources

- undefined: https://appraisily.com/api/scraper-search/artists/albert-gleizes/seo-profile?recentLimit=24&relatedLimit=0
- undefined: https://www.invaluable.com/auction-lot-albert-gleizes-1881-1953-auto-retrato-259-c-ff3b88bbd7
- undefined: https://www.invaluable.com/auction-lot-albert-gleizes-1881-1953-autoportrait-avec-tabou-1944-20-c-361d2d6aa0
- undefined: https://www.invaluable.com/auction-lot-albert-gleizes-1881-1953-untitled-156-c-00ec795d1d
- undefined: https://www.invaluable.com/auction-lot-albert-gleizes-1881-1953-untitled-155-c-7048ab3ab6
- undefined: https://www.invaluable.com/auction-lot-albert-gleizes-1881-1953-le-nu-vers-1915-128-c-4d3c8eb46e
- undefined: https://www.invaluable.com/auction-lot-albert-gleizes-study-for-the-colline-inspiree-406-c-3df9a02de8
- undefined: https://www.invaluable.com/auction-lot-signed-albert-gleizes-oil-on-canvas-cubist-orphism-painting-463-c-6ff770315e
- undefined: https://www.invaluable.com/auction-lot-albert-gleizes-19-arbeiten-aus-pensees-sur-l-homme-et-dieu-1950-je-radie-958-c-d1cec3e948
- undefined: https://www.invaluable.com/auction-lot-albert-gleizes-france-1881-1953-composition-aux-personnages-ou-femme-a-la-guitarre-ou-personnage-dans-un-decor-cubiste-ou-madam-gleizes-au-chevalet-1923-oil-on-cardboard-39-c-9900d9f9ef
- undefined: https://www.invaluable.com/auction-lot-albert-gleizes-1881-1953-130-c-c22c683b3e
- undefined: https://www.invaluable.com/auction-lot-albert-gleizes-1881-1953-composition-circa-1928-9-c-28a491f695
- undefined: https://www.invaluable.com/auction-lot-albert-gleizes-1881-1953-14-c-55cc97979e

## Appraisily data basis

Appraisily artist pages combine artist identity research from museum, library authority, and scholarly sources with auction records, auction-house context, sale dates, realized prices, and comparable lots when those records are available. For Albert Gleizes, identity data is grounded in records from RKD, the Library of Congress, VIAF, the Museum of Modern Art, and Tate.

## Sources

- RKD – Netherlands Institute for Art History: https://rkd.nl/en/explore/artists/32116
- Library of Congress: https://id.loc.gov/authorities/names/n81013211
- The Museum of Modern Art: https://www.moma.org/artists/2191
- Tate: https://www.tate.org.uk/art/artists/albert-gleizes-1178
- Wikidata: https://www.wikidata.org/wiki/Q711903
- VIAF (OCLC): https://viaf.org/viaf/66467993/
- Wikipedia: https://en.wikipedia.org/wiki/Albert_Gleizes
